|
|
 |
Practice
The great and lesser
Hindu gods are worshiped in a number of concentric circles of public
and private devotion. Because of the social basis of Hinduism, the
most fundamental ceremonies for every Hindu are those that involve
the rites of passage (samskaras). These begin with birth and the
first time the child eats solid food (rice). Later rites include the
first haircutting (for a young boy) and the purification after the
first menstruation (for a girl); marriage; and the blessings upon a
pregnancy, to produce a male child and to ensure a successful
delivery and the child’s survival of the first six dangerous days
after birth (the concern of Shashti, goddess of Six). Last are the
funeral ceremonies (cremation and, if possible, the sprinkling of
ashes in a holy river such as the Ganges) and the yearly offerings
to dead ancestors. The most notable of the latter is the pinda, a
ball of rice and sesame seeds given by the eldest male child so that
the ghost of his father may pass from limbo into rebirth. In daily
ritual, a Hindu (generally the wife, who is thought to have more
power to intercede with the gods) makes offerings (puja) of fruit or
flowers before a small shrine in the house. She also makes offerings
to local snakes or trees or obscure spirits (benevolent and
malevolent) dwelling in her own garden or at crossroads or other
magical places in the village.

The most fundamental
ceremonies for every Hindu are those that involve the rites of
passage.
Many villages, and all
sizable towns, have temples where priests perform ceremonies
throughout the day: sunrise prayers and noises to awaken the god
within the holy of holies (the garbagriha, or “womb-house”);
bathing, clothing, and fanning the god; feeding the god and
distributing the remains of the food (prasada) to worshipers. The
temple is also a cultural center where songs are sung, holy texts
read aloud (in Sanskrit and vernaculars), and sunset rituals
performed; devout laity may be present at most of these ceremonies.
In many temples, particularly those sacred to goddesses (such as the
Kalighat temple to Kali, in Kolkata), goats are sacrificed on
special occasions. The sacrifice is often carried out by a special
low-caste priest outside the bounds of the temple itself. Thousands
of simple local temples exist; each may be nothing more than a small
stone box enclosing a formless effigy swathed in cloth, or a
slightly more imposing edifice with a small tank in which to bathe.
In addition, India has many temples of great size as well as complex
temple cities, some hewn out of caves (such as Elephanta and Ellora),
some formed of great monolithic slabs (such as those at
Mahabalipuram), and some built of imported and elaborately carved
stone slabs (such as the temples at Khajurāho, Bhubaneshwar, Madurai,
and Kanjeevaram). On special days, usually once a year, the image of
the god is taken from its central shrine and paraded around the
temple complex on a magnificently carved wooden chariot (ratha).

Many holy places or
shrines (tirthas, literally “fords”), such as Rishikesh in the
Himalayas or Benares on the Ganges, are the objects of pilgrimages
from all over India; others are essentially local shrines. Certain
shrines are most frequently visited at special yearly festivals. For
example, Prayagā, where the Ganges and Yamuna rivers join at
Allahābād, is always sacred, but it is crowded with pilgrims during
the Kumbha Mela festival each January and overwhelmed by the
millions who come to the special ceremony held every 12 years. In
Bengal, the goddess Durga’s visit to her family and return to her
husband Shiva are celebrated every year at Durgapuja, when images of
the goddess are created out of papier-mâché, worshiped for ten days,
and then cast into the Ganges in a dramatic midnight ceremony
ringing with drums and glowing with candles. Some festivals are
celebrated throughout India: Diwali, the festival of lights in early
winter; and Holi, the spring carnival, when members of all castes
mingle and let down their hair, sprinkling one another with cascades
of red powder and liquid, symbolic of the blood that was probably
used in past centuries.
|